For the love of outlines

They say writers fall into one of two categories: Plotters and Pantsers. But the more I write, the more I realize it isn’t truly one or the other. Sure there are hardcore outliners out there, especially in the mystery/thriller genres where the author needs to know what will happen in the end. But I find that writers are often a blend of both, and I am trying to find the right balance.

In the beginning of the journey I like to call, “Hey, I can write a book”, I had an idea and I sat down to write. By the seat of my pants, as the saying goes. I quickly realized that if the book were going to make any sense past my romantic mind wanderings, I’d need to get some structure in place. The first craft book I read (a Christmas gift from my sister) was Martha Alderson’s The Plot Whisperer. As I read it, I used her techniques and advice to roughly plot out my book. It was still pantsing, but Pantsing with Purpose. Even though I didn’t know what the characters were doing scene to scene, I knew where I wanted to be at each key beat of the story, and that helped keep me on track.

When I wrote my second novel, I tried to stick to a similiar course, but it was a bit more challenging because there are dual storylines in two different time periods. I needed two separate story arcs that came together in the end, and so I wrote each story separately with the intention of eventually merging them together. To make matters worse, I had gotten so burned out by frustration over the beginning of the first novel (the original version had a prologue, and the feedback I received for said prologue was not exactly positive) that I started the story partway through. At one point the various documents on my laptop became confusing. I decided to create a wall of color coded sticky notes (which after much moving around became a floor of sticky notes) to keep everything organized. You can see the before and after below, accompanied by my lovely cat, Mia. I also went through several sheets on the legal pad trying to figure out the best way to merge the stories.

 

 

Some of the above decisions were poor ones. I should have kept the stories together from the start and I should have thoroughly outlined before starting to write. I spent way too much time in revisions, staring at the sticky notes and legal pad, rearranging the chapters until they made sense.

 

When I wrote my verse novel, I was required to turn in an outline first. My editor created a beat sheet of sorts and we had to identify the key moments of the story before it could be approved. I’ll admit, outlining was tough. I don’t always know what the characters will do and feel constrained by the thought of first this, then this, then this. And I did wander a bit away from the outline when I wrote the book, but let me tell you how much easier it was knowing where I was headed. (It was! Much, much easier!)

So now my friends, I am embarking on my next creative venture, and as per normal have decided I want to mess with the narrative status quo a bit. Which means I should outline, right? Which means I learned my lesson and I am not about to type willy-nilly for the next 70k and then spend months and months in revision hell, right?

I have tried. I’ve drawn plot diagrams and written out the beats with blanks underneath. I know it will help my story in the long run. But something in my brain keeps me from committing to structure.

Camp NaNoWriMo starts Sunday. It’s my second time participating, and things didn’t go so well last time. I’ve set a modest goal of 10k (camp is more flexible than the traditional NaNoWriMo in November). Right now my WIP is just shy of 6k. I’ve been working on it for two months. You do the math. If I want to be successful at camp, I need some sort of outline.

Right??

Spring intentions

Tomorrow is the vernal equinox in the Northern Hemisphere. We will officially enter into my favorite time of year: SPRING. Around here, spring generally shows up late, or sometimes never — going straight from 30 degrees to 70 and skipping over the lovely mild temperatures in between. Our first week is predicted to hover in the high 30’s with plenty of sun. Cue the cabin fevered Buffalonians emerging from their snow cocoons. In shorts.

But enough about the weather. What I love about spring is the opportunity to start new. Forget new year’s resolutions; they never stick. Our bodies are deep in hibernation on January 1, immersed in a time when we take things slowly, draw inward, and fight to stay warm. Now is the time to resolve to live life fuller; the days are getting longer, the sun has escaped its cloud prison, and the Earth sends an invitation to change in the form of robins and daffodils.

This morning I did a yoga practice specific to the spring equinox, meant to wake up the body. The instructor asked her virtual class to set intentions and I thought, what better way to set my intentions than to post them here on my blog where I can refer back and perhaps even be held accountable by my friends and followers.

My spring intentions:

  • Keep my body healthy and strong (and hopefully pain-free!)
  • Make time every week to write
  • Be present in the moment

I need to focus on my health and change what I can control because there are days when the pain from endometriosis is more than I can bear. So I’m trying a new approach and hopefully it will be one I can stick with and see some results. As for writing, that is always part of my goal list because it is something I seek to continually improve. Right now I am querying my second novel and the steady flow of rejection has been a bit heart breaking. But I’m not ready to give up on the idea of my stories being out in the world and know that I have to keep writing and make it part of my weekly routine. Lastly, I vow to be more present, especially when I’m with family and friends. To savor all moments, from the blissful to the mundane. Life is too short to exist solely for our to-do lists.

Bloom away little flowers. Embrace the longer days, the warm sunshine. Decide what needs to change in your life and change it. Now is the time. Happy spring, everyone.

Waiting for the muse

Words to describe me: mom, wife, friend, counselor, household manager, volunteer, health nut, writer. Notice where writer falls on the list. As something that brings me joy but also a fair amount of heartache, it easily slips to the bottom of who I decide to be each day. And when I do carve out time for writing, it’s often in small, interrupted patches, and the muse doesn’t always show up. (Translation: one hour dedicated to writing = 45 minutes on the web/social media/my phone/not writing + 15 minutes staring at a blinking cursor/not writing.)

I know what they say. Get your butt in the chair and put the time in if you want to make something of yourself as a creative person. So I convinced the family to turn our guest room into a writing office. Bought a new desk. Surrounded myself with inspirational things and books and lots of sticky notes. My job is only three days a week, which means I have two whole days to write while the kids are at school. All of the ingredients needed to crank out some amazing stuff.

Reality: See that list above? I volunteer at my son’s school several times a month and serve as committee chair for our local scout pack. I use one of the free days to grocery shop/meal prep/clean. I procrastinate under the guise of keeping up my social media presence. (Translation: waste time worrying whether or not people I’ll never meet will like my mildly witty tweet.)

When I do get my butt in the chair at my beautiful desk that is often covered with all things not related to writing, I worry. Worry about my stories and whether or not they will ever sell. Worry about the words coming out of my brain, especially when they seem stuck somewhere between there and my fingertips. Worry about all of the other things I should be doing, like cleaning out the basement or snuggling with the cat.

I recently read that you should carve out the same place/time each day and your muse will show up because he/she/they will know where to find you. Makes sense. John Cleese has a great video about how we need to allow ourselves time to get into the creative space in our mind, which for the modern writer may mean browse social media, search for the perfect playlist, make/purchase a comforting mug of your favorite warm beverage. The thing is, life doesn’t always allow for the same place/time for writing, and we use distractions as an excuse of settling in instead of truly settling in.

Take last Wednesday for example: It is my day off from work. Writing day. YAY! But the previous Friday was a snow day, so I had to go into work to make up the missing hours. It’s also usually the night I meet up with my writing group, but my older son has started indoor soccer practice at an elementary school on Wednesday nights with no place to sit and work. I decide to bring my laptop and find someplace nearby to write.

6:55 Drop son off at practice. Drive to nearby store with café.
7:00 Scope out the space and wait for barista to finish previous person’s order.
7:05: Order a cup of tea, decide on a small dessert, chat with barista.
7:10 Fire up computer, log into wifi, check twitter, tweet about how warm it is.
7:20 Log into library site, look for music to stream.
7:25 Open document, read last few pages, stare into space trying to decide what to write next.
7:35 Start writing.
7:50 Realize we need milk at home and if I want to buy some and get back to pick up son by 8:00 I need to wrap things up.

Fifteen minutes of writing. I wrote about 300 words. That’s the problem. Sometimes it takes so long to get all the other crap out of the way that when I actually start to feel the muse show up, it’s time to stop. At home, this may mean someone/thing requires my attention, or I wasted five and a half hours doing other things and now it’s almost time to get my son from school. Don’t get me wrong, I’ve managed to make it work at other times, like when the boys practice at the athletic center that not only has no wifi, but there’s a dead zone so even data on my phone doesn’t work. Just one hour of no distractions—buckle down and get some words on the page already—writing time.

Every writer I know has a list of other things that require their attention and responsibility. And often making the choice to write means you are sacrificing something else. Made worse by the fact that you may sit there, missing whatever it is you’ve chosen not to do, and stare at the screen. Waiting.

Don’t give up on your muse. Do what you need to do to get into the zone, even if that leaves only a handful of minutes for writing. I beat myself up the other night about only getting 300 words down, but hey, that’s 300 more than I had when the night started. And now I know the routine of that particular place and can change my approach next time.

I daydream about the possibility of giant chunks of uninterrupted writing time, just me and my muse, hanging out, telling stories. But reality can be cruel, and it forces me to figure out how to make it work when I can if I want to bump writer up the list. I do. Because, heartaches aside, it feels good to be in the zone. There’s really nothing else quite like it.

Jan/Feb book report

I’ve decided to change things up a bit this year with my book reports — instead of writing about all the books I’ve read in a given month, I’ll highlight my main recommendations. You can still follow my reading pile on Goodreads, and I do try to write reviews now and then over there if something really moves me, but I’ll post my faves here every month or so and try to focus on one audio book, one read aloud, and one recent release.

In January I listened to In Order to Live: A North Korean Girl’s Journey to Freedom by Yeonmi Park. A friend of mine had recommended it, and I am drawn to memoirs of survival, particularly when they involve breaking free from an oppressive culture. I love books that are difficult to read and stay with you long after they end. This was no exception. Parts of the book made me cringe as I listened to Park detail the hardships she faced while living in North Korea and then being forced into human trafficking in her attempt to escape. It is impossible not to be moved by her perseverance and resiliency, and of the sacrifices made by her mother. I appreciated the fact that she explained the history of her home country, the honesty with which she told her story, and the bravery required to openly speak out against a place that is known for its treatment of traitors. Park’s story is only one. There are no doubt other stories, some more extreme and painful. And as global citizens, it is our duty to listen.

My younger son and I read the second book in Todd McClimans’ American Epochs series, a book called Time Underground. I met Todd on Twitter when I won a copy of his first book in the series, Time Traitor, which I read aloud with my older son. The series follows two boarding school friends who discover a time machine and travel back in American history. McClimans, history teacher turned principal, knows his stuff, and I love the fact that I can use literature to bring history alive to my sons. I even recommended the series to our school librarian, who loved it. Time Underground is about the Underground Railroad, and when one of the main characters discovers a distant relative did not survive his attempt to escape slavery, she goes back in time to try and save him. The present day chapters in the beginning were a little slow, but once she travels in time it was definitely a page turner, and the boy let out a loud, “NOOOO” each night I closed the book and said it was time to go to sleep. A sure sign of a good read.

Lastly, a new release I stumbled upon and enjoyed was Brave Deeds by David Abrams. I’ve started a new writing project and the main character works as a funeral guard for the Navy Reserves. I discovered the novel while searching the library catalog for research materials. I’m a sucker for a good, gritty military story, especially ones that showcase war’s effect on humanity. Brave Deeds follows a group of men on a day long journey to the memorial of their leader, and what I liked most about the book was its unique use of first person plural narrative. I’ve only seen that done once before (in The Weird Sisters) and it was the perfect way to show how the men were separate individuals functioning as one unit. I noticed some reviewers complaining that the narrative was disjointed, jumping around from present to past, but I think that was a deliberate and effective story telling device for this piece. The language is raw and realistic, and Abrams does a wonderful job weaving in each character’s back story wound. I will definitely be checking out his other work.

As always, happy reading everyone!